When the characters found their own ways to heal, it felt like rebellion. The distance between where The Leftovers began and where it ended was part of what made the second and third seasons so effective: It was thrilling to watch the show break its own rules. But while the unrelenting anguish of the first few episodes turned some viewers off, it wasn't a flaw in the big picture. Set in the dazed aftermath of the sudden vanishing of 2 percent of the world's population, the series evolved past its bleak first season to tell a story more expansive, and more quietly magical, than anything else on TV. Liam Mathews Ĭarrie Coon and Justin Theroux, The Leftovers Van Redin/HBOĬo-created by Lost's Damon Lindelof and author Tom Perrotta, The Leftovers could be read as a direct response to the controversy around the Lost finale: On The Leftovers, the lack of answers was the point. We called it the best show on TV right now for a reason. We've all relied on commiseration with competent coworkers to help us endure bad bosses like Ava Coleman, the preening and vindictive principal hilariously played by Janelle James. The show has a sweet-and-salty sense of humor and a cast of characters who feel like people who could actually exist in real life. Every episode, she tries to go above and beyond the call of duty, with alternately triumphant or humbling results. The main character is Janine Teagues (series creator Quinta Brunson), an idealistic second-grade teacher in her second year on the job. Tim Surette Ībbot Elementary is a mockumentary in the vein of The Office or Parks and Recreation about an underfunded public elementary school in Philadelphia, where the teachers try to provide for their students as best they can without getting burnt out by the lack of resources, respect, administrative support, and difficulty of the job itself. In its three-episode second season, the delirium continues as Suzie gets a part in a televised Christmas special and fights to regain the love of the public. There's an element of horror to the show as the walls close in on Suzie and she retreats into some self-destructive behavior in strange places, and the anxiety it produces is almost too much, in a great way. The scramble to save face and her marriage is a bumpy one for Suzie, who goes through the wringer in the dark comedy that isn't afraid to mix raunch with sharp observations about celebrity. Billie Piper delivers an award-worthy performance as she absolutely becomes Suzie Pickles, an actress whose career and family get blown to bits when her phone is hacked and racy photos are leaked on the internet. It's OK to watch someone during the worst time of their life, really! It's good for learning from their mistakes and enjoying a little schadenfreude, and in the SkyTV series I Hate Suzie, it's also very funny. The documentary, which includes the Safdie brothers as executive producers, excels because of its access to and interviews with Carlson's believers, who still to this day think everything that happened was fine and normal. Shasta, Oregon, Hawaii, and Colorado, all in the name of the self-proclaimed savior Carlson, a mentally ill woman with delusions of grandeur who convinced a cadre of new age hippies and ex-cons that she would ascend to an alien spaceship. The three-episode documentary Love Has Won: The Cult of Mother God examines Carlson's life and followers as they bounced between Mt. By the end of her life, she was a pile of blue skin and bones from all the colloidal silver she was drinking to battle a rolodex of health issues. Amy Carlson, Love Has Won: The Cult of Mother God HBOĪt the height of Amy Carlson's power as the leader of the Love Has Won cult, she was getting baked, drinking heavily, and having her online followers pay for things like a tricked-out go-kart.
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